Well, The Clearing is completely inked, and the project is well on its way to being completed, and now the bulk of my drawing time is going to my piece for Light Grey Art Lab's Stacks show. I'm creating my zine in homage to the television show Lost, which first aired in my chosen year of the Stacks timeline, 2004. It was difficult choosing something, because whether I knew it at the time or not, 2004 was full of things that are very important to me. In the end making a decision came down to what I'd prefer to draw. Again, very difficult.
Fortunately, working on The Clearing and having a blast doing it made me realize that I'd probably like to keep drawing some foliage. You'd better believe a tropical island has some foliage. The fun part is going from a north woods forest to a tropical, south pacific forest.
In the meantime, though, I'd like to share a few process pictures I took with my phone while working on a panel edit to the comic. The one difference between this process and most of the pages is that I sketched directly on the paper--for the rest I blue-lined the pages.
One thing I have to mention, because I believe it has a huge role on the outcome of a project, is how amazing it has been working with a great writer/client. Keith had a very clear (and wonderful) vision for The Clearing, and it was a pleasure to start working with such a clear plan. At the same time, he has been open and encouraging to the visual ideas I've provided. Love this project so much <3. Peace out.